96k 24bit
REC. SETTINGS
OFF
REC. LOWCUT
OFF
REC. LIMITER
6.0
AUX. SETTINGS
N/A
AUX. BASS
N/A
AUX. HIGH-LOW
N/A
MIC. SETTINGS
150 Hz
MIC. LOWCUT
N/A
MIC. HIGH PASS
@8.0
(RFI) RADIO FREQUENCY INTERFERENCE
?
LESS THAN
1.1ft / 0.34m
?
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
?
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
February 18, 2023 at 1:34:42 AM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

LOWS/BASS
A
DO THE "LOWS" SOUND REAL?

MIDS
A
DO THE "MIDS" SOUND REAL?

HIGHS/TREBLE
A
DO THE "HIGHS" SOUND REAL?
NOTES:
At this "VLOG" proximity, this mic is sounding pretty natural (and "REAL") with these settings. I'm using both the stock FOAM + FURRY (Official) because in a vlogging scenario, you're often OUTDOORS. This combo is doing a pretty good job rejecting from the sides AND THE BACK!
As I've mentioned before, the shock mount that comes with this microphone isn't super good...but I've been finding that it's even MORE important to make sure the output cable (from the mic) isn't rubbing against anything (that causes a lot of the handling noise I've mentioned before).
Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.