WAV 24-bit/96kHz
REC. SETTINGS
OFF
REC. LOWCUT
OFF
REC. LIMITER
5.5
AUX. SETTINGS
OFF
AUX. BASS
LOW
AUX. HIGH-LOW
@FULL
MIC. SETTINGS
ON
MIC. LOWCUT
N/A
MIC. HIGH PASS
+20
(RFI) RADIO FREQUENCY INTERFERENCE
LESS THAN
1.1ft / 0.34m
BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m
BETWEEN
2.2ft / 0.67m -3.3ft / 1m
BETWEEN
3.3ft / 1m -4.4ft / 1.34m
Published:
May 4, 2022 at 8:33:55 PM
REAL RATINGS
After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.
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LOWS/BASS
DO THE "LOWS" SOUND REAL?
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MIDS
DO THE "MIDS" SOUND REAL?
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HIGHS/TREBLE
DO THE "HIGHS" SOUND REAL?
NOTES:
With these settings, the level is a little bit high when NOT using a FURRY, but if you are using it (the one included with the microphone) it will take the level down a little bit, and be just about right. Note this test (and almost all tests at the "BOOM" proximity) adds an AUX. Amplifier (Neotek NTK059).
Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.