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REC. SETTINGS

N/A

REC. LOWCUT

N/A

REC. LIMITER

N/A

REC. LEVEL

AUX. SETTINGS

N/A

AUX. BASS

N/A

AUX. HIGH-LOW

N/A

AUX. OUTPUT

MIC. SETTINGS

MIC. LOWCUT

N/A

MIC. HIGH PASS

MIC. BOOST

(RFI) RADIO FREQUENCY INTERFERENCE

LESS THAN

1.1ft / 0.34m

BETWEEN
1.1ft / 0.34m -2.2ft / 0.67m 

BETWEEN
2.2ft / 0.67m -3.3ft / 1m

BETWEEN
3.3ft / 1m -4.4ft / 1.34m

Published: 

April 17, 2023 at 10:18:25 PM

 REAL  RATINGS

After testing each microphone, I like to know if it sounds realistic (accurate lows/bass, mids, highs/treble) in combination with the recorder and/or AUX. amplifier, to see if it needs EQ.

Catching a Wave

LOWS/BASS

 DO THE "LOWS" SOUND REAL? 

Song Notes

MIDS

 DO THE "MIDS" SOUND REAL? 

A woman singing in a record studio

HIGHS/TREBLE

 DO THE "HIGHS" SOUND REAL? 

NOTES:


I do not recommend this combination.

There are a number of reasons why I don't recommend this microphone/audio recorder combination, but the most important is that (at this "CLOSE" proximity) neither the +20 or the +0 work. The reason is that it doesn't work is the audio recorder (which is also a transmitter) does NOT have a way to set the REC. LEVEL, so the MIC. BOOST is the only way to set the level, but when you're at +20, the level is too high (it clips). What's also sad is that at +0, the audio doesn't clip, but it can't be boosted in post WITHOUT REVEALING A LOT OF RFI (Radio Frequency Interference). So essentially, this microphone/audio recorder combination does not work at this "CLOSE" proximity (around 3.5 inches or 8.89 cm).

 

Keep in mind, these settings will not establish the exact level you'll need for every scene (where the audio level "bounces" around -12) but my goal is to provide a good starting point (that comes out clean, after boosting in post). It's also important to use these "recommended settings" for my microphone-specific EQ files to work properly (they won't work as intended if any of the "audio variables" are different). The EQ file was created to correct any sonic imperfections of the microphone or wind protection (foam, furry) and have been created with Audacity (the free audio editor) to make them as affordable as possible. Also, it's important to always monitor (accurate headphones) your audio while recording so you can hear any problems and make any changes needed to your audio.

GAFFER TAPE SUPPLIED BY
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