Natural
"PHOTO STYLE"
-3
CONTRAST
-2
SHARPNESS
+5
-0
-1+2
HIGHLIGHT SHADOW
OFF
iDYNAMIC
OFF
16-255
LUMINANCE LEVEL
REAL RATINGS
After testing each lens-sensor combo, I like to know if the rendering is going to look realistic (or not) as this will affect how easy it is to "shot match" (to other lenses).
CONTRAST
A
IS THE CONTRAST "REAL"?
SHARPNESS
B
IS THE SHARPNESS "REAL"?
NOISE
B
IS THE NOISE "REAL"?
COLOR
F
IS THE COLOR "REAL"?
*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).
Published:
May 15, 2023 at 12:03:17 AM
OVERVIEW:
This lens, similar to its brother the Nikon 50 1.8G, is not easy to work with on this sensor (the Panasonic G85). When I started the test (at -0-0-0-0, HS -0-0) it had the same deep shadows that the 50mm had, and the same weird color rendering. I think these final settings make this into a lens that is a decent tool, but it will need both sharpening and color added in post-production (to look "REAL"). I might be able to correct some of the strange tonal range problems with the LUT, and I it's easy to boost the SATURATION of the color, but I don't know if I will ever get the color HUE to look accurate. This color issue is hard to describe, but it renders colors with a deeper tone than they really are, and some may like this, but my goal is realism (so this is not one of my favorite lenses).
POST-PRODUCTION NOTES:
This lens-sensor combination will need some post-production work (these are my recommendations):
1. Add SHARPNESS (in Davinci Resolve)
2. Create/add a LUT (see notes above)
3. Add my "YouTube COLOR Bump" (if you're uploading to YouTube)
My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.
SPECIAL THANKS TO
