Natural
"PHOTO STYLE"
-1
CONTRAST
-5
SHARPNESS
+1
-1
-3+4
HIGHLIGHT SHADOW
OFF
iDYNAMIC
OFF
16-255
LUMINANCE LEVEL
REAL RATINGS
After testing each lens-sensor combo, I like to know if the rendering is going to look realistic (or not) as this will affect how easy it is to "shot match" (to other lenses).
CONTRAST
A
IS THE CONTRAST "REAL"?
SHARPNESS
C
IS THE SHARPNESS "REAL"?
NOISE
B
IS THE NOISE "REAL"?
COLOR
B
IS THE COLOR "REAL"?
*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).
Published:
November 2, 2022 at 12:27:31 AM
The final settings here work pretty good, but this lens-sensor combination still has some issues...These include maybe the strangest Highlight Shadow settings I've ever used...and it still has too much contrast. When I started this test, I was surprised, as I had heard so many people say good things about this lens, but when compared with a lot of the vintage lenses I've been testing, this thing isn't very good...so let me explain. When I started this test (at -0-0-0-0 using the Natural profile) what immediately jumped out at me were the outlines on the edges of objects, which I'm pretty sure is due to over-sharpening...yet at the same time, the image was soft and needed sharpening! This is a problem, because to remove the outlines on the edges of things, you have to REDUCE the SHARPENING...but doing that will mean the image needs even MORE sharpening during post production, so I may have to see how far I can take the sharpening in post production (using Davinci Resolve).
My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.