Natural
"PHOTO STYLE"
-3
CONTRAST
+1
SHARPNESS
+4
+2
-5+3
HIGHLIGHT SHADOW
OFF
iDYNAMIC
OFF
16-255
LUMINANCE LEVEL
Unsharp Mask*
ADOBE
POST-PRODUCTION
AMOUNT
RADIUS
THRESHOLD
Pentax Super-Takumar 50 1.4 ii Panasonic G7 NATURAL -0-0-0-0 HS -0-0
Pentax Super-Takumar 50 1.4 ii Panasonic G7 NATURAL -3+1+4+2 HS -5+3
REAL RATINGS
After testing each lens-sensor combo, I like to know if the rendering is going to look realistic SOOC (Straight Out of Camera) or if it will need a LUT (to match the shots to other lenses and cameras).
CONTRAST
C
IS THE CONTRAST "REAL"?
SHARPNESS
B
IS THE SHARPNESS "REAL"?
NOISE
C
IS THE NOISE "REAL"?
COLOR
D
IS THE COLOR "REAL"?
*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).
Published:
July 8, 2022 at 11:26:16 PM
I am amazed at how differently this sensor (camera) handles this lens (compared to the GH4). As I mentioned in other reviews of this lens, it is inconsistent in terms of how it renders light. It's really interesting how much I was able to push the COLOR with these settings, and while you could tone it down a bit, I did it to show what the lens is capable of. It's a very different type of color than newer lenses usually produce, but some tend to like the more vintage feel. If you want to start with less color, go +1 (not +2) but if you upload to YouTube, you may still need that extra color (as of 2022 anyway).
My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.
SPECIAL THANKS TO
