Natural
"PHOTO STYLE"
-1
CONTRAST
+1
SHARPNESS
+4
-1
-2+2
HIGHLIGHT SHADOW
OFF
iDYNAMIC
OFF
16-255
LUMINANCE LEVEL
Unsharp Mask*
ADOBE
POST-PRODUCTION
AMOUNT
RADIUS
THRESHOLD
Promaster 70-300 4-5.6 LD Panasonic G7 NATURAL -0-0-0-0 HS -0-0
Promaster 70-300 4-5.6 LD Panasonic G7 NATURAL -1+1+4-1 HS -2+2
REAL RATINGS
After testing each lens-sensor combo, I like to know if the rendering is going to look realistic SOOC (Straight Out of Camera) or if it will need a LUT (to match the shots to other lenses and cameras).
CONTRAST
A
IS THE CONTRAST "REAL"?
SHARPNESS
B
IS THE SHARPNESS "REAL"?
NOISE
C
IS THE NOISE "REAL"?
COLOR
B
IS THE COLOR "REAL"?
*Click here to learn more about "REAL" Ratings. These ratings are AFTER my custom settings are applied (most combos don't look real good with default settings).
Published:
September 9, 2023 at 8:23:24 PM
This lens is a 1990s vintage "TELE" kit lens (for Nikon mount). One interesting thing is it seems to be exactly the same as the Quantaray (of this same focal length). I started the test using the exact same custom settings, and the resulting images look almost identical. Also, both lenses have a 1:2 MACRO spec in the same exact focal length range (the macro lock engages between 180-300mm on both lenses).
My goal for these camera settings is to improve the "lens-sensor relationship" by adjusting the contrast, sharpness, noise reduction and color with the result that it produces an image that looks less "digital" and more "organic" (more like film, etc). The first step is to apply these settings while shooting (produces an image that looks pretty good straight out of camera) but keep in mind there may need to be slight color grading (or a LUT) applied to finalize each shot.
SPECIAL THANKS TO
